Nella high-range stamp the compatibility of the card – nobilitazione (doratura, embossed, UV varnish) is especially the line of confines will be an impeccable oggetto and a cost-effective fallimento. The texture of the graphics, on the support of the bag, can generate foil if it is staccato, the structure of the fiber or the irregular UV varnish. Understanding the interaction of grammar, patina, porosity and elastic memory of the card with the various finishes is a decisive technical skill.
In this article we analyzed in practical mode that the card accepts the temperature in heat, its sound is ideal for a deep coating and its patina is valued by a UV varnish selected, with specific concrete indications which are preferred and which combinations should be avoided.
Compatible Carta-Nobilitazione: Quale Carta Accetta la Doratura, la Goffratura o la UV Vernice
Reading time: ~14 min
- Hint
- Doratura, embossing and UV varnish: how it works davvero
- Compatibility of the cardboard and heat-treated paper tip
- Compatibility with card and embossed tips
- Varnish UV selettiva and patinate card or naturali
- Please note and avoid combinations
- Regole de progettazione grafica per nobilitazioni senza sorprese
- Practical checklist for your card and qualification
- FAQ
- Sintesi
Doratura, embossing and UV varnish: how it works davvero
Doratura a caldo e foil
In the packaging and in the pre-owned publishing house, a metallic film (foil) has been applied to the heat-treated film with a riscaldato plate that is pressed. It heats up the adhesive layer of the foil and the pressure makes it stick to the support in permanent mode. This means: (1) a surface area that is sufficiently smooth to maintain the resulting lamina continues and (2) a cartridge with sufficient heat and pressure to deform or burn.
Embossing or goffratura
Embossing is a mechanical deformation: the card is compressed by the matrix and controlled to create a permanent print. Occur no (1) spessore adeguato to avoid the perforation of the foglio and (2) fiber with good elasticity, capaci di deformarsi ennza lacerarsi. The decoration may be dry or combined with stamp or gold.
UV Vernice and UV Vernice selettiva
UV varnish polymerizes immediately under ultraviolet lamp. The only selected version is that it is painted to create a clear/opaque contrast or a realistic 3D effect. It is necessary to carry the baggage: the varnish must be distended in the same way and legarsi on the superficial layer of the carta. Patina too much used or supported too much absorbenti richiedono regolazioni specifiche e spesso primer.
Compatibility of the cardboard and heat-treated paper tip
Lucid and opache patina card
The patinate (coated) has a smooth and porous surface: a perched edge of the foil provides a uniform surface that is anchored and sticky does not penetrate the support. Lucid patina or satin restored to a brilliant molto gold; the opache patina offers an elegant contrast with a velvety and metallic background. Molto “plastic” patina with strong synthetic content that can improve the adhesion of the foil and rich preliminary test.
Natural map, not patinated
Molto apprezzate per la tattilità nel luxury packaging, sound more porous. If the surface is too visible, the adhesive on the foil may penetrate causing it to fail; Too much grana can make the foil granulate. Natural high fascia card is compatible with the foil, it is adjusted and regulated by heat and pressure. With deep texture it is essential to have a preliminary sound.
Rigid cardboard and supports for cofanetti
In rigid packaging, the color acts on the rivets in the carton, not on the internal cardboard. The rivets must have a medium-high grammature to accommodate the pressure on a small surface and a compact surface to prevent the metallic film from breaking. If the color is combined with texture, the full thickness of the glue + cardboard will be tested with the prototype.
Compatibility with card and embossed tips
Grammatura e spessore minimi
For a sensitive and stable temperature, a medium-high grammar is preferred. On the card, it may take a little longer to get the result, with too much pressure, causing lacerations. Invite and premium biglietti partono da 300 g; Copertine of the catalog of the fascia alta si gono anche oltre, usando grafici grafici o card accoppiate.
Creative, natural and riciclate card
Card with light texture (feltro, linoleum) to enhance the tactile effect. With the riciclate or mineral rich card, the elastic memory will be verified: if it is too fragile, it can break on its edge in a clear shape. In this case the embossing design will be simplified.
Deep embossing and combination with stamp and foil
To ensure the depth of your packaging, the ideal packaging is a high-quality, well-designed cardboard box. When embossing if combined with an offset stamp, you should avoid over-saturated melting; with golden heat, the accuracy of the record is critical.
Varnish UV selettiva and patinate card or naturali
Lucid patina, opache and soft touch
The lucid patina offers a “specchio su specchio” effect with little contrast. Opaque patina and soft touch enhance the lucid/opaque contrast. The quality patina is guaranteed to be controlled; The soft touch film is rich in UV varnish specific, to match with the stamper.
Natural card with UV varnish
On the natural map the varnish follows the micro-roughness, resulting in less specchio and more material. If it is very absorbent, it will serve as a base glaze, which will enhance the glossy surface. Nei progetti d'arte questa scelta va balanceciata con la fedeltà chromatica complessiva.
Please note and avoid combinations
| Aesthetic objective | Recommended type of card | Ideal nobility | Da evitare |
|---|---|---|---|
| Brilliant metallic logo on the cofanetto | Carta patinata opaca or naturale liscia on the cardboard | Doratura a caldo (eventuale leggero rilievo) | Carta with a molto deep texture under the foil |
| Rilievo tattile marko su copertina | Carta naturale 300 GB cartone grafico | Deep dry embossing | Weight under 250 g |
| It is clear on the opaque background | Patinata opaca o soft touch | Selettiva UV nail polish | Carta molto assorbent senza preparazione |
| Effecto “medaglia” (foil + rilievo) | Medium-sized rivets on rigid cardboard | Doratura a caldo + combinato embossing | Supporti rigidi ma fragili |
The simple tabla, my ogni progetto di fascia alta merita test e campionature, soprattutto wheno covolge more nobilitazioni sovrapposte.
Regole de progettazione grafica per nobilitazioni senza sorprese
Spessori minimi, testi e dettagli
Nel embossing testi sotto i 10 pt o font con grazie sottili vengono easily schiacciati. Linee molto sottili rischiano di sparire. With the browning, minute details will result in impastity of the adhesive layer; Suitable for raising the foil with a simple and iconic shape.
File separated by rilievi, foil and varnish
Una prassi professionale prevede: (1) a file for the stamp in quadricromia/Pantone; (2) a separate file for the embossing trace in black 100 %; (3) If possible, the file may be separated for color and UV protection. This guarantees this precision without impianti and reduces the risk of misalignment.
Practical checklist for your card and qualification
(1) L'oggetto sarà manipolato spesso? Nei cofanetti retail la doratura deve deve resistere aurti e sfregamenti: meglio card rivestite robuste e foil già testati. (2) Is the message more visible or tactile? Se conta la luce (foil, UV varnish) servono surface area smooth; The tattoo (embossing, natural card) is given priority to elastic memory.
(3) Is there any environmental protection or certification? If you use FSC, the special card must be compromised if you compromise the planned renewal. (4) Is this reference similar to real? Leave any product with the same combination and it will be drastically risky.
FAQ
Can you use the heat on your dry card?
Sì, purché la carta riciclata abbia buona coesione internala e surface non troppo aperta. Card riciclate di fascia alta accettano bene il foil se si avitano micro-dettagli e si effecttuano prove su lotto reale.
What is the minimum grammar required for visible texture?
To make sure you can perceive the oil you are asking for, be careful starting from 250-300 g. This makes the effect more discreet and increases the risk of distortion; per packaging if dirty oltre 300 GB if used cardboard accepted.
Does the UV coating work on your natural card?
Function, my effect is less specchio and more materico. On the card you absorb, after preparation, the shine will settle; Do not store the museum if you can combine natural cartridges internally and support patinati per glass.
Can you combine gold, embossing and UV varnish on all the supports?
Yes, my training sequence is complete. The card must support more pressure, heat and varnishing if it is deformed, making it essential for a 3D prototype.
Sintesi
Seal the card for browning, embossing and UV varnish means it reacts to heat, pressure and rivets. Patinate smooth gold and varnish molto glossi, natural card and cardboard spessi esaltano the tactile dimension of the rilievo. The combination is extremely rich in testing and has a fine control of all the graphic files.
For comprehensive packaging design and luxury art publishing, it is useful to have a manufacturing office that coordinates support, support and logistics. Example of sound availability sezione edizione di Maestro Manufacture. Contact per una consulenza dedicata.